2014 Film: The Taking of Tiger Mountain

The 2014 film The Taking of Tiger Mountain is an epic action-adventure directed by Tsui Hark and produced by Huang Jianxin and Yu Dong. This cinematic work is based on the adventure novel by Qu Bo, which tells the story of the People’s Liberation Army in post-World War II China. Having been previously adapted as a Peking opera and a 1970 film, this 2014 version marks a vivid reinterpretation of the classic tale through modern cinematic techniques.

Plot and Storyline

Set against the harsh backdrop of winter in northeast China, the film follows a small, courageous unit from the People's Liberation Army as they attempt to capture a stronghold held by warlord Zuo Shandiao, also known as Tiger, on Tiger Mountain. The narrative revolves around the strategic maneuvers of the PLA soldiers, led by Captain 203, as they engage with the warlord's forces in an effort to dismantle his power and bring peace to the region.

Cinematic Techniques and Reception

The film utilizes advanced special effects and 3D technology, enhancing the visual appeal and providing an immersive experience for the audience. Tsui Hark, known for his innovative approach to filmmaking, expertly blends action sequences with dramatic narratives. The film's reception was positive, with acclaim for its visual grandeur and adherence to the cultural significance of the original opera. It successfully brings the story to a new generation while preserving the essence of the historical period it represents.

Cultural Significance

The Taking of Tiger Mountain is deeply rooted in Chinese culture, drawing from the revolutionary themes of the Maoist era. The film pays homage to the eight model plays, particularly the Peking opera Taking Tiger Mountain by Strategy, which was a key cultural artifact during the Cultural Revolution. The opera itself had been an adaptation from Qu Bo's novel, and the story has long been a significant part of China’s revolutionary literature.

Taking Tiger Mountain by Strategy

"Taking Tiger Mountain by Strategy" is a multifaceted cultural phenomenon that spans different mediums and historical contexts. The title refers to a Peking opera, a 1970 Chinese film, a 1974 album by Brian Eno, and a 2014 Chinese-Hong Kong action film. Each incarnation contributes uniquely to the cultural tapestry, connecting revolutionary ideals, avant-garde music, and cinematic innovation.

Peking Opera

Historical Context

The Peking opera "Taking Tiger Mountain by Strategy" is one of the eight model plays that were sanctioned during the Cultural Revolution in the People's Republic of China. Adapted from the novel "Tracks in the Snowy Forest," the opera dramatizes the communist guerrilla's strategic capture of a tiger-infested mountain held by bandits. This production was heavily endorsed by Jiang Qing, Mao Zedong's wife, and became a staple of revolutionary opera.

Plot

The story revolves around a soldier named Yang Zirong, who disguises himself to infiltrate the bandits' stronghold on Tiger Mountain. Through his cunning and bravery, Yang orchestrates the defeat of the bandits, exemplifying the Communist ethos of self-sacrifice and strategic brilliance.

Film Adaptations

1970 Film

The 1970 film adaptation of "Taking Tiger Mountain by Strategy" closely follows the narrative and stylistic elements of the Peking opera. Produced during the height of the Cultural Revolution, the film was a propaganda tool aimed at reinforcing revolutionary values. It utilized traditional Chinese operatic techniques while incorporating cinematic methods to broaden its reach.

2014 Film

"The Taking of Tiger Mountain," directed by Tsui Hark, is a modern cinematic adaptation that brings the story into the 21st century with high-definition visuals and dynamic action sequences. While staying true to the original narrative, the film adds layers of complexity and character development, appealing to contemporary audiences.

Brian Eno's Album

"Taking Tiger Mountain (By Strategy)" is the second solo album by Brian Eno, released in November 1974. The album diverges significantly from the Chinese cultural product, instead drawing inspiration from [Eno]'s avant-garde and experimental approach to music. It merges disparate genres, from rock to electronic, creating an innovative soundscape that has influenced countless artists.

Concept and Themes

The album's title and concept were inspired by a series of postcards depicting scenes from the Chinese opera. However, [Eno] uses this inspiration as a jumping-off point for his own thematic explorations, including narratives of espionage, war, and surrealistic imagery. The album is noted for tracks like "Third Uncle" and "The True Wheel," which showcase Eno's skill in melding lyrical poetry with experimental music.

Tiger Mountain in Culture

Tiger Mountain is a recurring motif in both Chinese and Western cultures. In the context of "Taking Tiger Mountain by Strategy," it symbolizes the arduous struggle and strategic ingenuity required to overcome formidable challenges. The mountain itself symbolizes a place of danger, mystery, and triumph.

Significance in Revolutionary Opera

In the genre of revolutionary opera, Tiger Mountain represents the triumph of Communist ideals over chaos and disorder. The operas were used not just as entertainment but as tools for ideological education, reinforcing the narratives of heroism and sacrifice that were central to the Communist Party's propaganda efforts.

Significance in Modern Adaptations

In modern film adaptations, Tiger Mountain continues to serve as a setting for high-stakes drama and action. The 2014 film's use of advanced special effects and nuanced storytelling brings a fresh perspective to the age-old tale, making it accessible to new generations while preserving its core themes.