The Feelers
The Feelers are a prominent rock band originating from Christchurch, New Zealand, in the early 1990s. The band was founded by James Reid (vocals and guitar), Matthew Thomas (bass), and Hamish Gee (drums). Known for their catchy pop rock sound, The Feelers have become a staple in the New Zealand music scene.
Music and Albums
The Feelers' debut album, Supersystem, released in 1998, became a significant success, selling over four times platinum in the New Zealand Music Charts and winning multiple music awards. The album's popularity cemented the band's reputation, and they quickly gained a loyal following.
Their second album, Communicate, released on October 12, 2001, continued their success, reaching number 1 on the New Zealand music charts with double platinum sales. The Feelers' music blends rock with pop sensibilities, characterized by strong melodic hooks and compelling lyrics.
In addition to their studio albums, The Feelers have released a number of singles that have charted in the New Zealand music scene. Their track "Right Here, Right Now," a cover of the song by Jesus Jones, was released as a single in 2010 and featured on their album Hope Nature Forgives. This song gained further recognition when it was chosen as the anthem for the 2011 Rugby World Cup.
Other Uses of "Feelers"
The term "feeler" is used in various contexts beyond music. For instance, a feeler gauge is a tool used in engineering to measure gap widths. It consists of a set of thin metal strips of different thicknesses that can be used to measure the clearance between two parts.
In the automotive industry, curb feelers are devices attached to vehicles to alert drivers when they are close to a curb, preventing damage to the car's tires and hubcaps.
The concept of "feeler" is also present in biology, where it refers to sensory organs, such as antennae on insects, which are used to detect environmental stimuli.
Sculpture and Art
"The Feeler" is a sculpture located at Üsküdar University in Istanbul, Turkey. This piece, known in Turkish as "Hisseden İnsan," represents a human figure engaged in deep contemplation, symbolizing the intersection of human emotion and sensory perception.